The Juno 6 and Juno 60 analog polyphonic synths offer quick editing with “one knob per function” design. Six voices of polyphony, only two waveform choices (plus a sub oscillator), resonant low-pass filter, one LFO, one envelope, on-board chorus and arpeggiator. Variable pulse width using pulse with modulation opens up sonic possibilities. These Juno 6 patches can also work as Juno 60 patches, JU-06 patches, and any software emulation.
![]()
Relaxed, light lead tone reminiscent of vintage movie soundtracks. The Juno 6 has stable oscillators, but we use the LFO to make it sound unstable.
Categories: lead
rated by 1 synth nerd
![]()
LFO-modulated pulse width plus a darker filter make for some spacey, moving chords.
Categories: ambient, pwm
rated by 1 synth nerd
Piercing, shrill and bright with long sustain and gradual darkening.
Is the Juno back? The Juno-G is a full-sized Workstation Keyboard from Roland featuring much of Roland's current state-of-the-art synthesis technologies, putting a studio's worth of sound, sequencing, and audio recording into one complete instrument. It shares the same high-powered processor as Roland's Fantom-X series but packages it in a synth that looks very reminiscent of the old. Dan Krisher takes you on a guided tour of the Juno-G Workstation Keyboard. Juno-G Music Production. Warran Harris takes an in-depth look at the Juno-G Workstation Keyboard. Juno-G NAMM Booth Demo, Part 1. Scott Tibbs shows of the Juno-G at NAMM 2006 in Anaheim, CA. Juno-G NAMM Booth Demo, Part 2. Scott Tibbs shows of the Juno-G at NAMM 2006 in.
Categories: bright, clean, sustained
This one feels like it is sounding in reverse due to the longer attack time and quick cutoff. Even more backwards: play legato for shorter, abrupt sounds. Play staccato for slightly sustained sounds.
Categories: lead, strings, reverse
Smooth, mellow pad. The filter starts out completely closed, with the envelope and keyboard range opening it up.
Categories: pad
In case you were wondering what it sounded like with everything set to “5” (or 50%)
Categories: weird, wobble
Barky tone good for percussive chords. With the filter resonance relatively high, the envelope quickly sweeps the cutoff while also modulating pulse width.
Categories: resonance, chords
Using the LFO as the primary filter modulation source makes some fantastic wobble chords. Adjust the LFO speed to match your tempo.
Categories: chords, wobble
Add bender-controlled pitch variation for a vintage feel to this string-like lead tone.
Categories: lead, strings
Categories: plucked
Press the hold button for infinite sustain on this mellow pad.
Categories: pad
The filter-controlled envelope really shines here. Useful for full, sustained chords.
Categories: chord, bright
Familiar sci-fi-ish special effect with a slowly rising and falling pitch and rapid wobble.
Categories: sound effect
Adding resonance to a string-like sound with the envelope controlling both the DCA and the filter cutoff.
Categories: strings, resonance
rated by 1 synth nerd
Bright sizzle decaying to warmth. Use the hold button for long, overlapping tones.
Categories: bright, ambient
rated by 1 synth nerd
Pretend the Juno has a mono mode for this lead. Use the LFO trigger to bring in vibrato on longer notes.
Categories: lead, mono
Bigger than life patch for chords, bass, really anything that needs to be bigger.
Categories: lead, bass, bright
Why does every one want a fat bass? Who knows. Here’s a thin one.
Categories: bass
Starts out with a harp-like pluck, then sustained with a synthy tone.
Categories: lead, plucked
Synthy stringy sound useful for patterns or sustained chords.
Categories: strings
![]() Comments are closed.
|
AuthorWrite something about yourself. No need to be fancy, just an overview. Archives
December 2022
Categories |